Archive for the ‘Work in progress Sci-Fi & Dark Fantasy’ Category

Work in Progress

¦ dialling in from Sky Bunker ¦

Had an absolutely epic writing session this weekend. Two solid days of it. Made great progress with the new book. Senior Verifier Jadon Purgo is now coming out of a decade-old shell. He’s seeing London, or rather the Settlement (what’s left of the city since Yellow Dawn happened and the Group took control) in a wholly new light and he is not liking what he sees. So now the figure of authority is seeking a way out, a way to get past the checkpoints and militia and flamethrowers that aren’t just there to keep out the Infected.  He’s seeing now how they’re also there to prevent anybody who learns the truth about the Settlement (and its true origins) from revealing such knowledge to the rest of the global survivor community.

Also managed to weave-in the cyborg characters I fleshed out for the (post-Yellow Dawn) novel called Dawn of the Iconoclast; a book that’s not yet been written but has a full plotmap ready to roll.  Nice to drop them in with a sort of cameo-role.

The Social Club will be the third novel set in the post-apocalyptic survival horror universe of Yellow Dawn – The Age of Hastur; it follows Dog Eat Dog and The Black Lake (which recently received critical review in the Guardian newspaper website UK) – all three of which are separate stories but sharing the one universe.  Another five novels exist taking place in this shared universe before Yellow Dawn wrecked such global havoc and devastation, you can view all of these novels here

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David J Rodger – DATA

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One Upon a Time…

It’s the thing I really dislike. You’ve sweated for weeks and months over something that’s 70,000 or more words in length.  Punchy start that launches well-crafted characters out across story arcs that see them rising, falling, crashing, burning, surviving or dying, and ultimately succeeding or failing as all the threads come together.  And then you have to take all that work and condense it down into a few lines that don’t just read like the contents of a tin of dog food. You’ve got to couch it in terms so compelling that a person might even consider eating that tin of dog food because you’ve made it sound so good.

I’m about to go through an overhaul of all my novel cover designs (bloody 7 of them!), either going for a much muted, graphic template approach or just some typographical first-aid to what I’ve currently got (create a more consistent feeling to show they’re all unique, independent stories, but all part of the same universe).  Working with a freelance designer on this.

But it’s made me review the back of book blurb’s I’m currently using and there is much nose wrinkling on my part. Don’t like what I’ve got. So, I’m in the process of re-writing them. Cue pained expression and a face like a dog chewing on a thistle.

Here’s five of them:

God Seed

God Seed { novel } For acclaimed documentary film-maker, Adam Kyle, this was going to be another feather in his cap. Embedded within a team of highly trained corporate mercenaries, he was covering the start of an operation in England. But when the operation goes terribly wrong, Kyle finds himself battling for his life, his sanity, and maybe even his very soul as a new and dramatic story unfolds, dragging him across the globe…and beyond. It isn’t just his documentary that is at stake, but the fate of every living thing in the Universe. David J Rodger delivers a gut-wrenching and epic journey in a novel that plunges deep into the crawling chaos and takes you to the edge of the membrane of human existence.

BUY > paperback : from LULU
BUY > kindle: US ($), UK (£), DE (Euro)

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Dante’s Fool

Dante’s Fool { novel } Detective Sergeant Louis Cloud is a hard-boiled cop hungry for power and promotion, and he’ll do anything to get it. When a courier descends from orbit and is murdered by an armed gang who rob him of precious gemstones, DS Cloud sets eagerly upon their trail, but he quickly learns there are other forces out there – and things from other realms of reality – that will also stop at nothing to get what they want. DS Cloud’s life is literally torn apart as he plunges headlong towards a terrifying confrontation with one of the sub-princes of Hell. Thrown into this violent mix of corporate corruption and demonism is Natalya Dorganskya; previously the adorable daughter of a now deceased movie-megastar, she has turned to crime to give her the kicks she once got from a borrowed fame and fortune. Once a world-class pilot, her neural network ravaged by custom drugs, can she overcome the torments of her past to defeat the horrors of her immediate future? Non-human things that have come stalking through time and space to take back what she and her compatriots stole from the courier. David J Rodger delivers a dark and edgy vision of the near-future in a novel that reveals the boundaries between the Satanism and the Cthulhu Mythos.

BUY > paperback : from LULU

BUY > kindle: US ($), UK (£), DE (Euro)

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Iron Man Project

Iron Man Project { novel } Former special-forces operative, Vincent Brent, is tough, ruthless and highly trained; he’s now using his skills for whoever will pay him without cashing in the bounty on his head. In this world of the near future, the UN has failed. Wars are fought in boardrooms through attorneys and politics, and on our streets with private armies of military or criminal assets. In Sicily, Jean-Luc Korda, the Chief of Security for one such corporate alliance struggles to survive as hidden forces attempt to manipulate him for their own ends. Both these men find their fates intertwined. In the cross-hairs of powerful adversaries, they must both make decisions of life and death in a choice between command and conscience. David J Rodger delivers a palm-sweating ride in a complex novel that will keep you turning pages until the end.

BUY > paperback : from LULU
BUY > kindle: US ($), UK (£), DE (Euro)

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EDGE

EDGE { novel } Ethan Carmichael, technical wizard and prolific inventor is close to burn out. Taking time out at a luxury snowboarding resort in New Zealand seems like the perfect opportunity to refresh his mind and spirit. But the mountain is a gateway to something much older than humankind, a malign and alien force that even now is oozing back into our reality, hungry for flesh and fear. On the other side of the world, Halo Santana, an unscrupulous concept scout scrambles onto the trail of a new technology that has vanished from a corporate R&D lab. Quickly out of his depth, he enters a frantic race to track down the missing components to save his life. Both men find their fates tangled in a deadly web of lies, treachery and a cosmic horror that comes from beyond the stars. David J Rodger delivers relentless narrative pace in a tense action-packed novel.

BUY > paperback : from LULU

BUY > kindle: US ($), UK (£), DE (Euro)

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Dog Eat Dog

Dog Eat Dog { novel } Ten years after the Earth has been devastated by a viral pathogen seventy per cent of the population is dead and only a handful of cities survive intact. The majority of urban spaces have been abandoned to the Infected, creatures that were once human.  Whilst above, the orbital colonies spin within their artificial gravity wells, helpless observers to the shocking events below.  Mikhail Drobná and Carlos Revira.  Two survivors, both hungry for money and power, and fuelled by a desire to carve their names onto this new world.  One provides services of violence and protection for powerful corporate criminals in New York; the other is a renegade intelligence agent forever running from the demons of his past. Strangers, until events conspire to bring them together. There’s a complex and deadly political power play in progress. Private armies. Corruption and murder on a massive scale.  Both men seek to seize their opportunity at whatever personal cost.  But a cosmic Evil has infiltrated the remote corners of these brutalised lands and it has its own plans. Will these men work as one to defeat it or will their bitter rivalry bring about their destruction. In the end, who will devour who?  David J Rodger delivers a novel of epic vision, character depth and nerve-popping tension.

BUY > paperback : from LULU
BUY > kindle: US ($), UK (£), DE (Euro)

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YOU CAN SEE MORE OF MY SCI-FI DARK FANTASY WORK ON MY OFFICIAL WEBSITE

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David J Rodger – DATA

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Work in Progress

¦ dialling in from Sky Bunker ¦

The UK shut down for four days over the weekend. Easter Bank Holiday. I had the luxury of using three of those four days to sink deep into a creative groove with the new novel.  Here’s the updates I posted on Facebook during the period, with insights into the story and where I’m at with it:

  • Current word count 64,000. It’s been slow progress this month for one reason or another and as we approach April, I’m coming to the start of a self-imposed “month off writing”. So I need to get as much done over the next three days as as I can.
  • Yesterday was a wonderfully epic day of writing. I nailed 5,000 words. Aiming to attempt the same today – see how my brain fares. Now on 69,000 words. The bigger plot is starting to emerge as senior verifier Jadon Purgo is brought into the confidence of conspirators – and his “mission” becomes more of a personal desire to find the wider truth about London, and the Settlement, than solve the deaths of two high-ranking officials with the Power of Eight Group. See a tough character twist and buckle under brutal strains.
  • 72,700 words. Jeepers my head feels like its had an accelerator pedal pressed down on it for a couple of days solid. Jadon Purgo is about to be taken into the Dead Zone outside London. Scary times for the man and chance to start weaving in some of the Mythos madness into this story.
  • Now into my 3rd day of solid progress on the book. I’ve not left the house since Thursday night. Most of that time I’ve been up here in the Sky Bunker. Living on coffee and pasta, and until I shaved last night I looked like total bum. Love it though. 73,300 words right now. London Dead Zone ahead.
  • 74,000 words. Engines close to failing. Risk of this bird going down into Dead Zone. Purgo terrified, naturally. Survive the crash and find himself surrounded by Infected
  • 75,700. First sight of Infected swarming through dead city streets.
  • 76,700 words. Dang! That’s nearly 13,000 since Friday. I’m super pleased and loving the visuals. This is what writing is all about. Living and working through the “movie” that is inside your head.

In the end I nailed 14,000 words in three days. Not bad as in the 3 months I’ve been working on the book (on and off since August 2012) I did 63,000 .  So it means in one long weekend I achieved what would normally take me 20 days. Heavy use of my “Da Vinci” method: polyphasic sleep, grabbing 15 minutes every 45 minutes, hour after hour. I highly recommend trying it if you’re a creative.

The Social Club will be the third novel set in the post-apocalyptic survival horror universe of Yellow Dawn – The Age of Hastur; it follows Dog Eat Dog and The Black Lake (which recently received critical review in the Guardian newspaper website UK) – all three of which are separate stories but sharing the one universe.  Another five novels exist taking place in this shared universe before Yellow Dawn wrecked such global havoc and devastation, you can view all of these novels here

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Work in Progress

¦ dialling in from Sky Bunker ¦

A Thursday night. I’ve had several good evenings this week. Managed to press deep into the new book despite losing Tuesday night to a mini-session of Yellow Dawn (RPG); no bad thing. :o)

So currently at 58,500 words on The Social Club and have found a groove where the words are tumbling out and the visuals are carrying me through scenes with that euphoric bliss that makes the process of “writing” what it’s all about.

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Monday 18th March and another week “lost” to other things. Important things but mildly frustrating to be unable to press ahead with the writing. Got an arctic road trip mapped out for later in the year; most of the transportation booked. A few final arrangements to make. Back in Bristol now after several days away. Working on The Social Club tonight. 55,000 words in.

3rd March

Work in progress: The Social Club. It’s been a very productive weekend so far and it ain’t over yet. 48,000 words and counting for this new novel. Time for a Da Vinci break (I use polyphasic sleep routine) and another mug of coffee.

2nd March

March… means I’m back into writing after taking February “off” from the insane creative drive of the last 3 years – and following on from the three months I took off between September and December when everything in my world seemed so… dark.

Taking February off wasn’t easy to do by the way; almost had fights with myself first weekend of Feb when I headed into town to relax — whilst some other part of my brain was scowling, “what are you doing? Get back home. You should be writing!”Anyhow, I really enjoyed Feb. Managed to do a lot of social things and other bits and pieces that would normally be considered “getting in the way” of the creative process. Have I found balance? Who knows. I’ve now got to cold-start the engine and see if the words will flow — or if I splutter and cough dank fetid fumes from lack of use. Whatever, I’m now back into The Social Club – novel #8 – picking up where I left off: Senior Verifier Jadon Purgo in trouble with the Power of Eight Group in a post-apocalyptic version of London, ten years after the event known as Yellow Dawn struck the Earth.

The Social Club will be the third novel set in the post-apocalyptic survival horror universe of Yellow Dawn – The Age of Hastur; it follows Dog Eat Dog and The Black Lake (which recently received critical review in the Guardian newspaper website UK) – all three of which are separate stories but sharing the one universe.  Another five novels exist taking place in this shared universe before Yellow Dawn wrecked such global havoc and devastation, you can view all of these novels here

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David J Rodger – DATA

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Work in Progress

¦ dialling in from Sky Bunker ¦

21:00 hrs and I’ve hit curfew. No more writing after nine o’clock. That’s a rule that’s been in place for years.  I came home from work tonight with a brain that felt squeezed dry.  I’ve had a busy few days – travelling tail end of last week through into the weekend. So I’ve not had a chance to do any writing at all for ages.  And come February I’ll be stopping writing entirely. For a month. Or at least that’s the plan. Part of a new regime to try to prevent writing taking over my life again – one month off for every 2 months writing – to ensure that I get a block of time to do things that involve relaxing, but without feeling guilty about relaxing.  So tonight I got back and felt the pressure. I had enough time to get in some writing but my brain was mush. Hot bath – candles in stained glass cubes and spheres – tunes playing.  Step out, body steaming in the chilly air. Perfect refresh of mind and spirit.  So I got a 45 minute stint done and now I’m grinning.  Creative release. Ahhh blisto.  42,500 words in.  Senior Verifier Jadon Purgo is in the survivor settlement that is London – following the catastrophic event known as Yellow Dawn that happened 10 years earlier.  He’s investigating the body of a man fished out of the Thames. Everyone seems quick to consign the man as a suicide but Purgo’s suspicions are aroused when he covertly discovers that body is actually a senior member of the ruling authority.  He starts digging.  And now he’s just been noticed. Repercussions afoot.

The Social Club will be the third novel set in the post-apocalyptic survival horror universe of Yellow Dawn – The Age of Hastur; it follows Dog Eat Dog and The Black Lake (which recently received critical review in the Guardian newspaper website UK) – all three of which are separate stories but sharing the one universe.  Another five novels exist taking place in this shared universe before Yellow Dawn wrecked such global havoc and devastation, you can view all of these novels here

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David J Rodger – DATA

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Work in Progress

The Social Club. 38,700 words. I’m definitely getting back into my groove.  It’s been a troubled novel.  I started summer last year (after completing The Black Lake) but decided to stop writing all together in September due to stuff going on in my life.  Nice to have my mojo back after 3 months of hell.  And I’m really looking forward to seeing how this one turns out.  Certainly enjoying writing it and getting into living with the characters.  No Cthulhu Mythos horror in this one. Although there are The Infected, things that Jo Public call Zombies but are much much worse.

The Social Club is a proper detective novel but one set in the post-apocalyptic universe of Yellow Dawn – in London, taken over by the Power of Eight (Business Cult). So I guess it has more in common with the pre-Yellow Dawn crime-thriller Dante’s Fool.

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Work in Progress

I’ve been away for a few days. An interesting break in Krakow, Poland, that allowed me to indulge in late night bars and cyberpunk-vibe cafes; daytime spent drifting through corridors of medieval history and across the cobblestone indentations of ancient warfare and intellectual innovation. I also paid a visit to Auschwitz and Birkenau, something that’s left an indelible impression of horror on my mind. You can see pics and a write-up of the trip here.

Now I’m back I’m looking to settle back into The Social Club: currently on chapter 4. Being in Krakow also gave me inspiration for a new novel; mainly based in London, pre-Yellow Dawn (just)

I’ve got the working title of:  Kalinka

I’ll be posting some early samples of The Social Club in the next few days.

EDIT @ 1st September

Got the weekend on my own. I’m wrapped in Starsky and already through the first mug of tea of the day (always like to ease in gently) and now necking last dregs of the first coffee. Spent this morning sat with Santiago notebook madly scribbling plot notes for Kalinka, another novel idea, which I guess I’ll probably start writing around 2015? I was out with my editor last night and talked her through the plot. I got to the end and she looked stunned, “What, no darkness? No horror?”

Erm, no. I thought I’d try writing a human drama set within my pre-YD universe. She smiled and says I’m getting soft in my old age. Maybe I’ll have to throw in an encounter with an Outer God for good measure. Ahem.
Right, two days with nothing in front of me. Chapter 4 of the Social Club. Let’s see how far we get, eh? :o)

EDIT @ 10.33

First da Vinci break coming up. Just finished chapter four. 17,800 words in. So a word count of only 800 words so far. Good words though, eh? ;o>

EDIT @ 14:33

18,900 words in. Nearly 2,000 today. Creative bliss. Although the walls of my reality are starting to blur a little now. Ever get that when you’re so focussed on something. Time melts.
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Work in Progress

I managed to find some “me time” and distance from the recent distractions of social shenanigans and DIY duties. The new novel, The Social Club now has 10,000 words to its name. Deep into chapter three and loving it. Senior Verifier Jadon Purgo, great character to work with; a detective style story in the remains of London following the apocalyptic event known as Yellow Dawn. I’ll post up some sample chapters soon.

Meanwhile, check out the “Yellow Dawn” novel I launched earlier this month: The Black Lake.

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Work in Progress

Couple days ago I decided to put Rise of the Iconoclast onto the back burner. A tough book to write. *glaring eyes* Switching focus I’m returning to The Social Club – the novel I started writing in May (before The Black Lake took over my life for 7 weeks).

So glad I did.  Now dancing in the fires of The Social Club. Past couple of days I’ve been working up a super thriller of a plot for this Yellow Dawn novel, set in London after the apocalyptic event – now a mega survival settlement controlled by the pseudo-religious business cult “The Power of Eight Group” (first defined in the pre-Yellow Dawn novel Iron Man Project).

Murder wrapped in political intrigue and the corruption that comes from the arrogance of authority. I love writing detective stories. :o)

I’ll keep you posted and will sprinkle some samples out there in a few days.

Also getting some bloody fantastic feedback on the novel I launched last week: The Black Lake. Makes it all worth it.

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Work in Progress

Started chapter 3 of Rise of the Iconoclast; getting some momentum going but it’s still proving a difficult book to write.

Meanwhile, proofing The Black Lake last night was fantastic. Editor read through nearly half of it in one chunk; couldn’t stop; totally into it. Great vibe. Of course, she’s leaving me a trail of work to do before I can sign-off the MS. *wry smile*

Really excited about getting The Black Lake out there. I’m hoping fans of the Mythos – and in particular the concepts around Hastur- are going to get a “hit” of dark and twisted satisfaction.

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David J Rodger – DATA

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Work in Progress

I’m nearly one month and 8,000 words into the new novel – Rise of the Iconoclast. It’s a depature from what I normally write about, aiming for a lighter touch.  I thought I’d drop in a chunk of the work to date. Unproofed – so you will find mistakes, but it’ll give you an idea of the flavour of the story.

RISE OF THE ICONOCLAST: Another Yellow Dawn novel. A bunch of ex-military troopers in full-borg conversions, now flying around in a battered aerodyne – always hungry for fuel and excitement, and the big gig that will allow them to step change their lives.  Then a random encounter with a foolish man, they discover an unusual object – a shard of technology. They’re told it is part of the original casing of the Dragon Breathe AI.  And they’re not the only people -or things – coming to look for it.  A bit of a guns and technology romp with hopefully a light-hearted vibe to the characters.

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On top of writing this novel, I’m proofing the novel I finished last month, The Black Lake. A little over half-way through the draft MS and aiming to have it finished and ready to launch in September 2012.

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One

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The decision to retreat wasn’t something that came easily to Izaäk Raske, even though the idea often sung through the organic channels of his mind like a chorus of self-preservation.  In any conflict it was a game of numbers.  And he always did the maths.  His body may have been a machine but his brain was still the one he’d been born with, before a bomb-blast in Krakow left him in the hands of a corporate-sponsored surgical unit.

The large, metal-plated bulk of Hariwald was a few strides behind, the bulging carapace of his hip-joint whining like an overworked sex bot thanks to the shard of shrapnel that had ripped through it five minutes earlier.  Had they really been running that long?  Steinsson, wearing a slim and agile infiltration chassis, ran alongside.   Behind them was a murderous mob of gelweed technicians, no better than redneck farmers, hell-bent on reclaiming what Raske and his crew had stolen.

A spray of projectiles tore up the uneven, moon-bleached earth around his feet.  The technicians must have hit a rise in the arid, dusty landscape behind them.  Then the rapid – dink – dink – dink – as a stream of the home-made bullets struck him.  Raske didn’t know where yet.  He heard the sound through the amplification patches built into his metal cowl.  Nothing stopped working.  No damage data appeared within the aquamarine glyphs projected over his field-of-vision by the various layers of electronics and sensors that encased his human brain.  Even so, the instinctive coding of his once-flesh self, made him hunch up as he ran, trying to present a smaller target.

Steinsson must have caught a few rounds too because he suddenly whooped, punching the air with a metal fist extending from a limb of modular carbo-plastic segmented armour.  The excited voice was modulated with a weird electronic squeal, one of Steinsson’s quirks of personality; the half-mad bastard had embraced the borg-life with the zeal of a drag-queen running into a dress shop.

Raske didn’t share the enthusiasm for a metal existence or excitement for the current engagement.  The technicians might have been steadily falling behind but he knew, from the state of Hariwald’s shrapnel damage, that they were carrying dangerous ordinance.  It would just take something to punch through the armour plating at the back of his skull; something heavy with a white-phosphorous coating or depleted uranium core, or a plasma bolt fired from an industrial cutter – and it would be goodnight señorita.   His brain was all he had left.  Those technicians were bristling with modern equipment: it was the reason Raske had chosen to rob them in the first place.

He clutched the booty to his  – once polished, now badly scuffed – chest-plate.  The booty was a rugged-looking briefcase, the kind once used by couriers before the world turned to shit; black carbon-wrap emblazoned with subtle bio-hazard logos.

More projectiles.  Steinsson whooped again and roared a taunt at their pursuers for them to try harder.  Steinsson could have easily opened up a significant lead between himself and them but chose not to.  Loyalty or insanity, Raske never knew which.  It was always the same, and had been for the few months Raske had known him; some kind of deep space colonial marine mission that went awry and left Steinsson drifting alone, and without a cryo-pod, for a very long time.

“Who said this place was a walk in the park?” Hariwald’s very human-coded voice washed up from behind.  It wasn’t a question, it was an accusation.

“Quit griping old man,” Steinsson warbled back over his shoulder, layering the modulation with a sing-song piss-take.

It was a fair point, Raske conceded silently; irritation directed towards Steinsson.  The deranged recon-trooper (and pilot) had completed a recce and utterly failed to either spot – or report – the fact the gelweed farm was protected by Nanomech.  In this case, insect-like sentry systems that held trigger codes for home-made claymores positioned around the main lab.  Hariwald had been spotted during extraction and – bang.

Hariwald’s voice buzzed and squelched with electronic equivalent of rage, as his EMU (emotional replication unit) struggled to cope with the surge of juice from his brain.  “I never told you my age boy. And you’re deluded if you think your youth makes you any better than me.”

These two constantly grated nerves together.   One consequence of a crew confined to living in each other’s space, jaded comfort against a world now mostly hostile to machines; especially, upright walking, bipedal ones.  Most fleshy humans didn’t stop to consider there might be an organic brain inside.  Cold hostility, shouted abuse, or bullets, was a common reaction from survivors when people like Raske and his crew showed up.   They didn’t consider that Izaäk Raske, Hariwald Hlavač, Tristão Steinsson, plus Nikias Solberg and Malthe Herriot, back at the ship, had been born from the wombs of human mothers, and with machine-bodies or otherwise, had all gone through the genetic game of chance and survival against the pathogens that had ravaged the planet ten years ago.  Malthe – their engineer – had endured a particularly terrible flavour of intolerance.

Ironically, the only humans who seemed to actually care about this were FABIAN militants, a brotherhood of self-proclaimed “machine killers” who saw it as their duty to protect the evolutionary supremacy of flesh and blood over metal.   Cyborgs – the essence of a human being encased in a machine through choice or organic survival – were not considered a threat to this supremacy.  Robots, and any other automated device, were.

Of course, raiding isolated communities and robbing tech sites did nothing to endear fleshy folks to them, Raske realised.  But needs must, and his needs and that of his crew, and his ship – The Ginny – were great.

Raske and the others, they were victims just like the rest of them.  All of them had lost family and friends during the apocalyptic event known as Yellow Dawn.  All of them had gone through the hell of adjusting to  a world now reduced to a handful of Living Cities with small settlements, clinging onto dust and despair, spread out across a new wilderness in between.  Only the orbital colonies and deep space habitats powered on, almost unaffected – but reaching those was a gong-pipe dream for the average Joe.

Abruptly, a steep decline opened up in front of them; they ploughed down and off the undulating terrain of dirt and rock, onto the cracked and weed-riddled surface of a main road.  Feet clacking on cold tarmac.  Raske scanned for bearings.  Navigation markers flashed up in his peripheral vision, ghostly green and luminous – waypoint beacons broadcast by the beads he’d dropped on their approach to the target.  The road was the final marker – following it south would lead directly to the abandoned villa, nestled in the foothills of a mountain; tucked away behind the villa was the Ginny, where Nikias and Malthe would be waiting.

It was a good feeling; knowing those two would be there.  Raske had squirted an SOS ahead of him: Coming in hot.  Hostiles on heels. Be ready immediate evac.  He just prayed they were frosty and that the Ginny was behaving – a few mechanical issues with engineering had left the ship a little bit unreliable lately.

The group picked up speed.  Hopefully they would create a clean gap between their pursuers with enough room for them to board the Ginny and get away.  Frustratingly, Hariwald’s damaged hip joint now squealed like a demented see-saw.   The gelweed farmers could probably track them through the blackness of Interstellar space following a racket like that.

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They covered nearly a mile before Hariwald’s hip finally seized-up.  The bulbous, large-framed chassis suddenly toppled forward and crashed down onto the badly weathered road surface.  There was a roar of furious cursing, infused with a quavering electronic whistle.  Raske and Steinsson stopped and turned.  Hariwald rolled over onto his side, large box-like arms flailing as he struggled to overcome the inertia of his physical  mass, one massive leg refusing to comply to commands.

Raske dialled-up his night-vision and peered along the barrel of the road.  The coast was off to their left; low hills to the right, with the road veering off towards them several hundred metres away.  No sign of the rabble yet.

Hariwald began verbalising damage-report data spilling into his awareness: either a main hydraulic line had snapped, ran dry or clogged with dust getting into the internal mechanisms, or the chunk of shrapnel had locked-up the moving parts.

“Won’t know until Malthe takes a look,” Hariwald concluded, voice laced with consternation.   He managed to sit upright, looking like a pile of moving boulders and boxes in the digitally filtered moonlight.

Raske nodded his head.  Audio was starting to bleed into his long-range sensors.  They didn’t have long.  “Can you get up Doc?”

“Negative.”

Steinsson piped up, unable to help himself – Raske guessed: “I bet you were old when they stuck you in that can.”

“Not helpful,” Raske stated. He rushed over to Hariwald; Steinsson fell in silently alongside.  The recon-trooper might have been a monkey wrench short of a toolkit but he was strangely quick to acknowledge when he’d crossed the invisible line of command.

They both got Hariwald to his feet and then had to strain their physical capacity to start dragging the blocky chassis along the road, whilst maintaining enough speed to keep them ahead of the approaching mob.  Raske guesstimated the gelweed technicians were only five hundred or so metres behind them now.  It didn’t help that Steinsson wasn’t built for strength: stealth and agility was not the combination they needed right now.

“Come on you skinny pup,” Hariwald jibed.

“I’d like to see you make it back hoping on one leg.”

“Shut it. Both of you.”  Raske told them.  He slammed the courier-case against Hariwald’s plastron; the other borg instinctively grabbed at it and held it there against his chest.

The landscape up ahead looked alien and unfamiliar in the modified moonlight, but the navigation markings in his vision told him they were less than a mile from dust-off.

It was heavy going. Literally.  Raske was gritting his proverbial teeth at the persistent warnings, popping up as overlays within his field of vision, telling him that he was exceeding safety limits for the chassis carrying capacity.  It would be just his luck for the central power-to-motor distribution hub  to go pop right now, leaving his limbs dangling like spaghetti from a spoon.  Steinsson was helping but he could have done with Nikias being there.

Steinsson’s infiltration chassis was a Fujiborg.  Beneath the modular segments was a lightweight skeleton of carbon-fibre with a thin steel core; the bare minimum of synmov gave the chassis speed to run and strength to climb and carry weapons, but it wouldn’t be much good in a panzerfaust fight.  Raske often said there was more air than substance to  Steinsson – and he meant that in more ways than one.   There was no abdomen to speak of, just a lot of empty space beneath the power-driving thorax – but even that was expendable, with reduced armour plating to keep the weight down and agility high.  The critical area of protection was the head.  Not just because it contained Steinsson’s brain – although Raske sometimes wondered if an entire brain had been transplanted when Steinsson volunteered for full-borg conversion  – but because it also housed the Denz-memory units.

The Denz-memory units soaked up all of the feeds from advanced sensory systems wired into the skull.  Steinsson could review playback via his synaptic bridge or switch into real-time review mode (R-TRIM), experiencing vastly enhanced audio, visual, olfactory senses, and a suite of other filters that enabled him to detect and identity a range of organic and non-organic features within a wide arc of awareness.  However, Steinsson often complained that employing R-TRIM was like trying to ride a tornado: so usually ignored the feature.

Which is probably what he did during the supposed recce, Raske surmised.

After what seemed to be an interminable period of strained, struggling progress, Raske recognised the vast, irregular mound of darkness rising up to his left, blotting out the starlight.  The mountain.  Abruptly, they struck the fork in the road that led up to the private villa, tucked away and hidden like a gem in the night.  Waypoints flashed up within his peripheral vision.  He dragged Hariwald along the ascending route with a stunted running stride.

The technicians were gaining.  He could hear their exhausted panting, but their angry chatter suggested weren’t going to give up.  Hariwald began trying to hop but it wasn’t helping.  Raske told him to stop.

Rounding a curve in the narrow road, the surrounding terrain fell away to reveal the three-story villa hunched on a wide plateau.  Even in the moonlight the ravages of weather, decay and neglect were visible in the long-abandoned structure.  In daylight, it would have probably enjoyed an incredible view, over some hidden ridge, of the nearby coastline and the Mediterranean Sea.  A little over a decade earlier it would have had a grandstand view of the event that nearly ended the life of all humans on the planet: North Africa and the Southern Euro-Fed taking the impacts from the Callisto as it broke apart in Earth’s upper atmosphere and spilled its potent, deadly cargo.

Beside the villa, the Ginny appeared out of the darkness like the poster-icon of an old world Christmas theme.  Coloured navigation lights oozed into life as the two crew members on board – Nikias and Malthe – responded to their  approach.  With absolute relief, Raske heard the throaty rumble of the helix propulsion motors.

The Ginny was nearly as tall as the villa. A bulky, irregular ellipsoid with half a dozen spherical structures around its circumference.  The cockpit window formed the narrow nose of the ellipsoid, a latticework of alloy struts beneath a thick layer of curved, transparent carbo-plastic.  The fat rear end contained a cavernous cargo hold – mostly empty – which was being revealed at this moment in a wash of deep red light as the lower section swung down to form a loading ramp.

The inky black, flesh and bone, muscle-bound figure of Malthe came trotting down the ramp carrying a long, curved and wickedly serrated sword; baggy cotton trousers, leather boots and his bare chest glistening in the red light.  It wasn’t sweat.  The dank, sticky moisture seeped out of the Chief Engineer’s pores almost continuously, an aspect of the affliction he suffered from.  Malthe was one of the unfortunates who had survived the first pathogen, the virus that had killed nearly seventy percent of humanity in a few weeks; but as with a few hundred thousand others, he had been left changed at a molecular level.  A new strain of human was formed over a few feverish, sweat-drenched days and nights.  Some people called his kind “Orcs”.  A term of insult.  The least offensive word categorising them was The Changed.

Malthe raised the sword slightly to indicate he could see them, then nodded and took up a half-crouched position – ready to defend the ship.  The Changed had remarkable sight even at night.

Behind them came the sounds of the technicians, reinvigorated and freshly angered now they had caught a definitive scent of their prey: the navigation lights of the Ginny throwing colours across the mountain terrain, sparkling in the darkness.

As Raske and Steinsson dragged Hariwald up the ramp, the squat, recurved hull of the Harrier Stormhammer came into view.  The aerodyne was a Recon Assault Craft (A-RAC), and was the only significant item in the hold.   It was also one of only a handful of offence hardware they carried that was actually sufficiently armed to be a threat.  Weapons were cheap these days – since Yellow Dawn – but the cost of ammunition was astronomical.

Steinsson threw him a metal glance, the subtle flash of twin electric blue orbs in a heavily armoured face.  Within the same gesture, the recon-trooper squirted a short query via his synaptic bridge; the message prompt flashed up in Raske’s field of vision: aerial support?

Raske stepped away, shook his head – human instinct still coded into the neural network and nervous tissue connected to the cybernetic machine.  His response –a purely mental thought process converted into text and fed through his synaptic bridge was brief and blunt: Negative. They don’t deserve it.

He didn’t add the final tail of his thoughts which was: And we can’t afford it.

Even with a good price for the booty he’d stolen from the gelweed technicians, finances for the crew of the Ginny were not looking good.

“I heard gunfire,” Malthe said matter-of-factly, striding up the ramp with the sword held out by his side.   His dark eyes went straight to the area of damage on Hariwald’s chassis.

“Fragmentation damage.  Fix him later,” Raske responded, already moving off – heading towards a lift and steps combo that got him out of the hold.  Still vocalising commands he said,  “Steinsson, T-G.”

The recon-trooper span away from the limping figure of Hariwald and sprinted off towards a floor hatch that would lead him down into the tail-gun.

“No shooting until you get my order to do so, Tristão,” Raske called after him.

“I can’t shoot them?” Steinsson squealed, stopping to glare back at Raske.  “What am I supposed to?  Wave my guns at them in a threatening manner?”

“They didn’t do any harm to us,” Raske began but was interrupted –

“Begging your pardon, Skipper.”

It was the carefully collapsing figure of Hariwald on the floor of the hold.

“They didn’t do much harm to us,” Raske adjusted, “I don’t consider them a threat and I don’t want UTOC coming after us for nailing their corp-sponsored gig, which judging by the equipment these folks are running, this definitely is.”

Nothing more was said. Steinsson dropped down through the hatch; Malthe vanished beneath the staircase into the bowels of the engineering section. Hariwald sat where he was cradling the courier case.

Raising a hand in front of him, Raske began to engage with the ship’s control systems now presented to him through the synaptic bridge.  Bright orange overlays, menu tabs, navcomp, system status glyphs with infinite granularity of detail possible if he the time or inclination to drill down into the data.  The carbonised-steel joints of his fingers glittered in the blood red glare of the tactical lighting within the hold.  The synaptic bridge understood his finger gestures and brought the ship controls out of visual mode into augmented interaction.  As his legs began to carry him up the staircase leading from the hold towards the Ginny’s central passage, his hand brought him into a virtual captain’s suite.

> Vertical thrust

> Hover-park mode {stage 3}

[!] Proj Alt Confirm 300 metres / ascent arc 20 seconds [OK]

> Execute

Nikias was up there in the cockpit but Nikias wasn’t the captain, and Nikias didn’t fly the ship. They might have been Raske’s crew but trust only went so far; it didn’t stretch to handing anybody the key codes to the Ginny.

Everything shifted as the Ginny’s motors kicked in and began pushing the ship away from the landing zone.  Then came a shudder; Raske dropped his hand to  brace himself against a wall as a flux in the power-to-lift ratio caused the whole ship to tilt and slide sideways.

Bloody engines.

He was going to have to listen to Malthe’s protestations about the number of temporary band-aid fixes being layered onto critical systems. He’d been warned enough times.  This would be a terrible moment for those warnings to be realised.

Raske found a support handle to cling onto as the Ginny began to rotate with the shifting thrust from struggling motors.

Shit.

How close were they to the villa?

The glowing orange architecture of the control suite still floated over his vision. He raised his free hand and swiped rapidly through passive tabs.  Reached a status screen with a sickening amount of warning prompts blinking into view and stacking up on top of each other.   He opened up a communication channel through the ship’s audio-rig:

“Malthe.”

“Aye skipper, I’m working on the prob right now.”

His grip on the support handle, bolted to the internal bulkhead, was firm.  He knew how to fly this ship in freefall if the need ever arose.  But that wasn’t the issue right now.  Raske scanned dashboard stats, their altitude was dropping, incrementally but persistently, back towards the ground.   He brought up another overlay, a hybrid of visual and motion tracking scans.  Two dozen humanoid figures sprinting up the fork on the road, pushing through physical exhaustion, carrying a variety of solid cold shapes – some long barrelled weapons.

Sound of squealing metal -

A brutal, rivet popping impact; Raske’s arm was nearly wrenched from its steel and graphene moorings.

What the -

Was that the villa?

As if in answer to his internal query, Steinsson’s voice flooded the ship’s audio-channel – throbbing with modulated irritation, “Man!  I’ve just had a personal tour of the roof of the house. Can somebody actually fly this thing?”

Raske tuned out the sarcasm: “Malthe?”

The Changed responded instantly, blunt anger raising his voice: “I’m working on it. Maybe if you let me actually fix- oh! – OK- okay we’re there!”

Abrupt cessation of hull vibrations and a feeling of being pressed down as Ginny began to lift again.

“Incoming!”  Steinsson’s voice.

Raske pushed himself upright but held onto the support handle.  Decision: check engine status or review the external threat?  “Can they hurt us?”

“Not sure what they are.”  Steinsson responded wildly.

“Eh?” Raske queried.

Then Nikias came through on the ship’s audio-com; his voice, for all that it was synthetic and generated by a machine-chassis similar to the rest of them – if not outrageously more advanced – projected an unusually organic quality.   Wet interchanges between vowels and throat cracking consonants, and as typical, phlegmatic, brimming with bored emotions.  “Twenty three assailants equipped with a variety of slug-throwers.  Nothing above a 7.26 mil, but that’s not what we’ve got to worry about.  They just launched five drones.”

“Type?”  Raske queried, his hand moving through the augmented interface floating within his field of vision.  He brought up the ship’s weapon systems inventory – it had been a long time since anybody had thrown autonomous tech against him.

“Scanning.”  Nikias responded.

“Malthe – how’s your patch holding up?”  Raske queried.

“It’s holding.  For now.”  Malthe replied, his gruff voice infused with doom.

Nothing appeared in the inventory that seemed to be of any use.

Great.

      Nikias, calm and lord-like: “They’re farm bots.”

Raske began to relax – the edge of a chuckle easing through the transformation from organic impulse to electronic sound.

Nikias: “They’re coming right for the motor intakes.”

Raske spoke quickly, “Can you shoot them Tristão?”

“Oh now you want me to shoot?” Steinsson howled.

“Jesus Christ can you shoot them or no?”

“No.”

“Why not goddamnit?”

“Too small.”  Steinsson said succinctly.

Raske visualised the mentally held image of his once-flesh self wrinkle facial features and hunch up with a sense of imminent trouble.  Malthe filled in the blanks, “They might be carrying molecular acid.”

“What the hell for?” Raske asked without really thinking for an answer.

“Breaking up the by-products after gelweed extraction and -”

“OK. I get the picture,” Raske snapped. The pervasive gentleness of the hull vibrating as the Ginny continued to rise was a nauseating prelude to disaster.  If they drones gone into the internal workings – already strained and patched-up beyond bearable tolerances.

It could be a sudden and very bumpy descent.

Dashboard stats showed the Ginny at 200 metres and climbing.  Those drones, if they were fully fuelled and in proper working order would probably out-fly the ship.

He let go of the support handle and pushed himself along the central corridor, momentum building into a short sprint, heading towards the cockpit – every human nerve ending clenched around its synthetic conducer counterpart; his brain quivering like jelly in a can, waiting to for the warning prompts to start burning across his vision like an inferno of bad colours.

His chassis was a Riken Alpha-CYB3 – classic heavy infantry model with modifications to cope with orbital-drop insertions; thermal shielding and enhanced concussion suppression for vital organics.  He might survive a catastrophic failure in the Helix propulsion system but then again, he might not. It didn’t matter how much titanium alloy armour plating and G-shock gel wrapped his graphene and synmov workings, if the ship’s power plant detonated on impact or any of the exotic munitions went off, it was going to be over in an instant.

Or worse… shattered, semi-functioning, incapable of self-repair, he might find himself lying crippled within a firestorm, a brain baking in an oven.

Or seriously worse… locked in a metal box of digital darkness, no sensory input, no awareness other than his own mental voice bouncing off infinite walls of silence.  Madness.

Steinsson babbled a torrent of abuse as he saw the drones swarming up past the tail gun.  Apparently they were small, zippy things; small enough to drop down onto the intakes and release a nasty surprise.

Fear chased him down the last of the corridor like a shadow of his human self.

Inside the cramped, gloomily lit cockpit there was room for two pilots and an observer.  There was no sign of Nikias.

Beyond the curving blister of the canopy he saw a moonlit scene of dry, dusty, mountainous terrain – a starlit night stretching out to the horizon.  A hint of the Mediterranean off to the starboard side.

“Nikias!” He shouted.

“Oh hello.”  Nikias replied, sounding as if he was very close.

“Where the hell are you?”

“Inside the avionics pod.”  Raske swirled round and looked down at the floor hatch behind the observer rack. A blue-black glow broken by the staccato flicker of an electrical component shorting out.  Nikias answered the question before he had a chance to ask.  “I’ve discovered the drones are being manually flown.”

Son-of-a…

The revelation spilled across him like a sunrise.

“I have the com-con freq,” Nikias finished. “And… there.”

Every console in the cockpit flickered.  A flurry of static hissed through his sensory feeds.  His brain tingled as near-overload hit the capacitors.

Steinsson was wailing.

What’s happening?

      Steinsson’s wails turned to whoops.  Raske listened to the narrative whilst his brain recovered: the drones were tumbling out of the sky.

Warning lamps erupted across several consoles.  A klaxon began screaming.

“I might have overdone that,” Nikias admitted gingerly.

“Can we still fly?” Raske flung himself into the pilot rack.

Malthe and Nikias both reported that the Helix motors were still working.

“Then let’s get the hell out of here.”

Two

.

Olympus Mons free port was, to some, a strange place to have a port.  Nestled away in the heavily forested peaks of Troodos Mountains, in the heart of the island nation of Cyprus, far from the threatening coastline.  Access was by air, or by a solitary road that wove along the edges of vertiginous drops and through tight passes; patrolled  by teams who ensured there was little in the way of robbery or Infection.  No larger than a village, with only three hundred permanent residents, it was built around the scavenged remains of the hill resort Pano Plátres.  Structures were a mixture of ancient stone, reclaimed wood and more modern materials; solar and hydro-electric generators augmented a small nuclear reactor that had been repurposed from the nearby abandoned military base.  It was a prosperous, self-sufficient place, serviced by farms, forges and high-tech fabrication plants. The large number of flat, fertile fields were hidden between the folds of steep mountains, accessed by narrow winding dirt tracks.  The handful of smaller mountain trails, that connected the village to the main road, had been intentionally blocked off to enforce a bottle-neck approach for visitors and would-be invaders.  Despite its wealth, the local roads that zigzagged through the near vertical terrain were badly maintained; part of its appeal for many of the residents who were not into ostentatious displays of wealth.  It was a hard working place for hard working people.

It was why Raske had flown there after the encounter with the gelweed farm.  Not just as a reliable haven to sell what he had stolen, but as a place to put out word: the Ginny and its crew were for hire.

The free port was where deals got made and deal-breakers got found out.  Not so much honour amongst thieves as a very reliable network of informants, managed by the core “families”: survivors originally from the area, who allegedly reclaimed the place after killing all the Infected there.  The absence of Infected in the region was certainly one of the appeals of the place; but people didn’t stop here if they didn’t belong, through introductions or otherwise.  You certainly didn’t come if you couldn’t pay your bills.  The courier case Raske had stolen from the gelweed farm, loaded with unregistered inception-vials, was paying for those right now.  They had arrived in the Ginny nearly two weeks ago.  There had even been enough cash left over to buy parts for a couple of the bigger fixes Malthe needed to make to the Ginny’s engines.  However, as usual, there wasn’t enough to give the crew a break.  Raske and the others were living hand-to-mouth, with cheap nutrient packs that provided little in the way of flavour or satisfaction.   When they weren’t working hauling cargo or providing protection on the road into and out of Olympus Mons, downtime was typically spent on the ship, brains plugged into a virt of one description or another:  out-of-machine-body experiences, that gave everyone escape from the daily grind, and a chance to roam around in flesh again, even if it was within a virtual construct.

However, lately the ship’s stock of glossy sim-stim campaigns were starting to lose their appeal through over-use and familiarity.  Six months ago, Raske had bought a bunch of them off a shell-trader in New Tokyo cyberspace – grabbing what he thought was a real bargain – whilst riding a hijacked satellite feed, looping through the Net from the Living City of Dubai where they had been working an escort gig.  The bargain turned out to be mostly a load of badly made romance titles, thinly veiled as erotic adventures.  There were three exceptions, the only sim-stims worth using: Pleasure by the Beach; Bloodshed in Baghdad (21st Century Mercenaries); and One Thousand and One Medieval Mazes, Puzzles and Games -  although the ship’s data log showed that Tristão Steinsson spent a lot of time inside of The Cream Citadel of Tashkent.  A soft porn, dungeon crawl adventure, where failure always led to the same “torture chamber”: stockings and silk replaced iron spikes and burning pokers.  It wasn’t Raske’s thing – give him a blood curdling battle with flesh and blades any day; plus he wasn’t sure what it said about the recon trooper: an underlying gentleness of character behind the armour and bravado?  Malthe didn’t use them at all: confining his interests to the Ginny’s mechanical and electronic systems; a sort of personal obsession that Raske was quietly grateful about.  Especially at this moment, as he walked around outside the Ginny inspecting the external fuselage and the excellent job Malthe had done at making repairs following the collision with the villa.

Once again, like every other place they stopped at, Raske noted that Malthe didn’t spend much time in the free port’s populated areas, despite the fact that in Olympus Mons nobody really cared if you were man or machine – his mutated appearance as a Changed could often leave a ripple of revulsion in the faces of people he passed.  Malthe said he’d gotten used to it – and simply preferred to avoid the potential risk of a scene – but Raske had to wonder how much it hurt, to be so abused and little understood; to be made such an outcast. Raske felt he could empathise with the concepts of intolerance and rejection, being a man inside of a machine, but he’d had intensive counselling from military psych-ops.  He’d been given a soft landing.  Malthe – and all the victims like him – hadn’t had that luxury; they’d fallen ill with the 1st Pathogen, in the immediate aftermath of the event everyone called Yellow Dawn, he’d gone into a coma, but instead of dying like 70% of the global population, he’d gone through a sweat-soaked fever then woken up…

Changed.

Raske trudged around the starboard side, metal feet sinking into the dry dusty soil around the landing area.  There had been no damage to the fuselage here.  The bulging structure of a thruster-pod stuck out, the composite materials reflecting the setting sunlight with an iridescent gleam.  It wasn’t a beautiful ship, but Raske had always held functionality above aesthetics – hence why he didn’t mind the somewhat brutal cast of his chassis.  Like the organic blob that had taken to the voids, air ducts and floor traps – one of Nikias’ weird synthetic biology experiments  that had escaped – the ship was all curves, pitted with impact marks; solid and surprisingly big for something of its type.  In the case of the Ginny, an old military FOP resupply vessel, heavy armour made up for the lack of speed; it carried enough weapons to clear an LZ but nothing that made getting into a ship-on-ship engagement a good idea.

The landing area was situated to the west of the village.  Part-way around a broad, bulbous dome of exposed rock that stuck out from the surrounding forest like the bald crown of a buried giant.  A long, narrow dirt track connected the grassy landing area to the village on the far side, down below.  The track wove plunged into the dense trees and vanished out of sight, lost in the shadows there.  The sun was still up, just.  It would be dark in less than an hour.  Almost all lights here were kept off unless craft were coming in or departing.  That didn’t really affect Raske and the others who were all capable of seeing clearly in starlight.  Otherwise, the only permanent illumination at night came from a string of sodalum posts, laid out along the edge of the dirt track, wrapped in a brown semi-transparent hydrogel, dulling the normally soft white glare of the sodalum down to tarnished yellow.  Raske liked that.  It made the place look old-world, medieval cluttered with a mixed bag of technology.

Reaching the nose of the ship, Raske peered up at the cockpit window, the latticework of alloy struts reminding him, as it often did, of something that belonged to a much earlier century.  His electronically rendered gaze drifted down to the large pod slung beneath; Nikias’ trick with the avionics had worked against the drones, but it had also caused significant damage to some of the ship’s un-shielded electronics.  Another consequence of half-completed repairs and band-aid mentality to everything that needed fixing.  The Ginny would probably end up cracking apart during some high-altitude manoeuvre before she was properly patched up; the ship needed a month in a dry-dock.

One day, fella, Raske told himself and reached up a hand to touch the underbelly like a diver touching the flank of a whale.  His servo-driven fingers flexed silently as he stroked, glinting with reflected light of the sunset.  Looking after the ship was one of his biggest desires, just below the top of the list: getting a new organic body.

His attention focussed on the construction of his hand.  The coarse sensory pads across the palm, and dotting each fingertip, that connected his brain to the external world through metres of cabling and 180 KG of chassis.

An organic body.  Raske’s mind drifted with the idea.

A customised Carbon-88; something ex-military, black-ops, infiltration spec, good-looking and physically capable without the appearance of a brainless chunk of muscle.  It was a big day-dream but something that never really left his thoughts.  He had gotten used to existing through a machine but the idea of flesh, of an organic connection to the world was a privilege he’d been born with.

Not cheap.  And not easy.  A vat-grown body was a few million credits alone – never mind the kind of customised model he was thinking of.  The cerebral codex – the piece of insanely advanced technological hardware that stored a digitised mind-state and connected it to the organic vessel – was another crate of money.  Then the expensive process of black-balling his brain, to digitise his existence into a cerebral codex, and surgically implanting it within an “empty” Carbon could only be done by an AI – and that meant dealing directly with Borgendrill Corporation: origin of the Enigma, the source of the singularity that spawned a raft of new consciousness within automated, self-repairing, self-replicating machine colonies.  Dealing with Borgendrill Corporation wasn’t a problem.  They had an office in every Living City on Earth, and every orbital colony above it.  It was just getting to an AI with the hardware required to complete a black-balling procedure: and that meant a  journey into Deep Space.  Not cheap.  Not easy.

Raske grimaced – not that you could tell, physically.  His internal self-image of what he actually looked like – once looked like – coiled up from the floor of his thoughts like a snake ready to bite.  Always this self-fulfilling circle of doom and gloom.  The idea set in permacrete that he would fail before he even tried to succeed.  Where did that come from, he wondered?  Not his mother – she had been optimism incarnate.  And his father had been a pragmatist – level-headed and successful in business.  Maybe a gene-skip from some distant generation?

No, this was who he was and he had learned to cope with the reality of it.  Lowering his hand from the Ginny’s belly, Raske let the weight of his arm swing down. Then he turned and began to walk beneath the portside, towards the rear.

He didn’t have a face, as such; just two rectangular lozenges with aggressively curved corners, sensory pods, placed roughly where his eyes would have been; below this was a bulbous triangular shaped device, looking something similar to a respirator mask, which wasn’t far from the truth – part of the complex machinery that kept his organic brain alive, including air-filtration, blood-oxygenation and nutritional intake and storage.   Raske often thought of it as his life hanging by his mouth.  Heavily armoured and easy to swap-out in the event of damage, it made a sort of reverse logical sense to place such a vital component at the very front of the line of fire.   Constantly charged back-up modules provided a window of organic survivability in the event that everything but his head was destroyed.  It was just a question of how long his mind could survive the experience.

They were all different.  His crew.  Four cyborgs and one Changed.

A good crew. 

They bickered, sometimes – well, apart from Steinsson and Hariwald who bickered all the time – but the general moral of the ship was usually good, despite everything.  That had to count for something, Raske told himself.  All their near disasters and crazy misfortune was just a stormy sea in this particular part of the journey of their lives.  He was a decent skipper.  A strong leader, fair but firm.  And they respected him.

Apart from Nikias.

      An inner voice commented.   And Raske wasn’t sure whether to agree or ignore it as the suspicious vagaries of uncertainty.  Nikias was a strange one.  Probably more capable than all of them put together and yet strangely loyal.  Gratefully loyal, which was what bugged Raske so much; because he had no idea what Nikias had to be grateful about. Which meant there had to be something he didn’t know about the tinkerer.

Nikias had a highly advanced chassis, slim and delicate, making him quick and yet incredibly strong; more synmov than metal, more synthetically organic in appearance than machine – even though it was absolutely clear that was what he was.  And yet no real obvious purpose.  No functional reason to his appearance and no clues within the vague stories of his background; something Nikias almost never discussed.

So why would something so advanced, competent and mysterious hang-about with a bunch of losers like them?

Raske tutted and checked himself. There was that negative attitude again.

The ramp was down. He stepped onto it and strode up into the ship.

* * *

Raske ascended the ramp into the rear of the ship with the sunset blazing behind him, throwing his compact, mechanical silhouette across the mesh surface ahead of him.  He walked beneath the main staircase leading up to the catwalks and central passage, through a bulkhead hatch and into the ancillary engineering section.   Malthe had moved into here wholesale, turning the space into a workshop.  Crowded with hoppers of robot parts and scrapped cybernetic components.  Hands, feet, claws and utility probes; spools of discard synmov.  Carbo-plastic bins of assorted electrical debris and bits of metal collected from scavenger mounds across the ruins of Europe.  The air was filled with the clank of heavy machinery, the hum of generators and mechanical systems idling on standby.  Automated cutting tools threw off sparks as they worked on some fabricated component, within the glow of the forge.

There was a gas furnace for carburising steel (and even iron).  Although the latter  probably had more to do with the cravings that came from Malthe’s affliction, rather than the any obvious interest in increased surface hardness, wear resistance and tensile strength.  Malthe’s kind, the Changed, were well known for their compulsive obsession for collecting and working with metal.  Nobody really understood why.

The forge was Malthe’s pride and joy.  It ate fuel like a fat kid locked in a candy store but somehow Malthe was able to make it pay for itself, and some.  It saved money on repairs and new parts, both to the ship and to their chassis, but mainly it generated cash when they landed in places less technologically competent as Olympus Mons, and opened shop.  It was hardly the picture of dreaded mercenaries for hire, grizzled war veterans in combat chassis, roaming the ravaged planet hunting down adventure; but then neither was hauling cargo like glorified dock-workers for weeks at a time.

Descending a set of reinforced metal steps, spiralling around a low wide open elevator, Raske made his way into the bowels of the engineering level, at the very base of the ship.  Dampening the overwhelming sounds of the place, he caught the plaintive tones of Hariwald’s voice box cutting through his audio filters.  Internally, Raske smiled.  He resisted the urge to loiter and listen; Malthe was down here with Hariwald and the Changed had an uncanny ability to sense what was around him – even when in darkness or out of sight.

Stepping into a circle of clear floor space near the elevator, he found them together, doctor and patient, engineer and broken machine.  Hariwald’s chassis had been suffering intermittent glitches ever since the incident with the claymore shrapnel.  Malthe was bent forward, holding a laser-cutter, working on a freshly opened hip panel.

“Tristão Steinsson can come and kiss my metal arse better.”

Malthe didn’t respond; he rarely did.

Raske moved forward within the glow of amber cage-lights. “Steinsson would kick your arse before you ever got him to kiss it.”

“A turn of phrase, Skipper.”  Hariwald responded without moving.

Malthe glanced up long enough to nod and acknowledge Raske’s presence,  then got back to his repairs. The knuckles of his hands were swollen and arthritic, another symptom of his affliction, along with the perpetual seepage of fluid that resembled plasma – causing his bare chest and arms to glisten.  Yet he applied himself with the care and attention of a surgeon.

Raske watched without comment for a while.

Hariwald’s chassis was a Boris HG-Mantak Medipede .  Designed to carry wounded bots, borgs and organics out of theatre into evac or resus-stations.  Large joint casings with G-TAN honeycomb structural inserts, beneath custom-weaved carbon, aramid hybrid fabrics and glass, fibre-reinforced, epoxy.  Not so much expensive to fix as time-consuming.    Beneath the anti-ballistics, the mechanics were pretty crude; hallmark of the Boris brand.  The bulk of the raw lifting power came through hydraulics rather than synmov – the latter being the synthetic muscle systems, vat grown, for more advanced chassis. It left the Boris prone to disabling failures in movement and active strength, but, had the advantage of making the chassis much easier to repair.  Malthe loved the Boris chassis.  Hariwald simply put up with it: the man’s mission in life seemed to be about taking things as easy as possible.  A mixture of resentment and the legacy of heavy PTSD drugs.

When he’d still been flesh and blood, Hariwald had been a medic in Operation Metal Hammer. Then he had grappled an Islamist suicide-bomber in Mecca during the Deconstruction.  He stopped the device exploding but failed to stop the religious fanatic from stabbing him so many times his body became irreparable.  His core biology was salvaged on decree from senior figures who wanted a hero to honour for the action taken.  All his bravery got him was a cheap Boris Medipede and two years of therapy.

The Boris Medipede meant Hariwald was the biggest of all of them, but far from the strongest. Nikias probably held that honour, with his densely bundled layers of synmov, despite being tall and slim. Next was Raske – with his Riken Alpha-CYB3 combat chassis –  curved plates of badly scuffed titanium alloy wrapped around bunched synmov fibres, giving him the stocky build of a weight-lifter, minus a face. Hariwald’s hydraulic powered motor systems were great for grit determination and brute force, but lost out in flexibility and mobility; both Nikias and Raske could apply their strength dynamically.  So could Steinsson, more so than any of them with his high agility and reflex speed, but his chassis wasn’t built for strength – the modular segments, long limbs and absence of an abdomen gave him the appearance of an upright insect; even the face, fused armour panels and two orbs for eyes, bristling with R-TRIM sensor nodules, looked like something from a monster-bug movie.

“Nice work out there,” Raske said eventually, fixing his gaze on Malthe.

The Changed barely nodded, “Not finished yet.”

“Hmm – I was going to ask about that.  I saw the avionics are all fixed now.   Is there much left to do and are the engines patched up yet?”

Malthe paused, knotted knuckles clenching the laser cutter as the microscopic beam switched off; the Changed stared into some middle-distance, through Hariwald’s chassis. Raske grimaced; it was often like this when he tried to discuss work-in-progress.  Malthe Herriot didn’t do justifying costs or explaining what he actually did with funds Raske gave him.  He lived by results, and to be fair, Raske never really had any complaints there.

However, Malthe did seem to be more grumpy and withdrawn than usual lately; and it seemed he must have been working out because his physical frame seemed bulkier than Raske recalled.

“Ok.  Just asking.  I’ll erm… leave you two to it.”

The beam of the laser cutter became active again; Malthe got back to what he was doing.

* * *

Ascending back up to the cargo hold, Raske caught sight of the emaciated chassis of Tristão Steinsson – crouching down by one of the stumpy landing struts of the Harrier Stormhammer, near to where the ramp met the fuselage.

What the hell was he doing?

Then Raske spotted the Gaestel SRA Pulse rifle clutched in his spindly arms. Steinsson looked as if he was stalking something, every limb moving in slow-motion with the perfect balance of his recon-trooper chassis.  As Raske watched, Steinsson jacked the first power-cell into the chamber, brought the butt up to his shoulder, and fired.  The weapon didn’t kick but it made a noise that Raske felt more than heard.   Pulse weapons released a directional shock wave that could stun or kill…or even blow holes through breeze-block and plasterboard walls.  They were the favourite of Akinola-Odusola’s dreaded corporate security forces, providing the ultimate in versatility: non-lethal to lethal at the flick of a switch.  Armour had no effect, which made them potentially deadly against a cybernetic machine – they could pulp the soft tissue of a human brain with a single shot.  The G-shock gel wrapped around Raske’s vital areas was a great defence but very few cyborgs carried such features.

Steinsson’s shot didn’t do any damage to the internal hull of the cargo hold, but Raske heard  the unmistakable slithering sound of blob – Nikias’ home-made Thing­ as it hurried away.  Hunting the blob had become the recon trooper’s latest fascination since the fun of The Cream Citadel of Tashkent had started to wear thin.

“You know Nikias will probably tear you a new gas vent if you harm that thing.”  Raske advised soberly.

The recon trooper remained frozen, chassis locked in a stooping crouch, head tilted to one side, all senses focussed on his quarry – the rifle pressed firmly into the flexible shoulder plate.  There was a long pause before Steinsson replied, straightening up as he did so:

“Harm it?  It’s bloody indestructible. I’ve shot it with every weapon we have on this crate and I’ve barely scratched it.”

# # #

END OF EXCERPT

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Iron Man Project by British author David J Rodger - Cyberpunk futuristic thriller corporate warfare using mercs

A novel

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David J Rodger – DATA

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Work in progress

I’ve not written much since last week. Rise of the Iconoclast sits at one completed chapter and 4,000 words. I’ve been focussing on the structure of the story – fleshing out bullet point plot notes into proper story arcs. I now have a solid beginning and end. I need to write this up and then investigate what kind of kinks I can weave into the character(s) journey, building tension for the reader.  Proof reading of The Black Lake continues, but again, the pace is slow. Not an issue.  Getting good feedback from other reviewers – and pleasing anecdote from one reader who went to see a Fire installation by Compagnie Carabosse at Stonehenge with the book prominent in her thoughts. I went away at the tail end of last week, back up to my “spawning ground” of Newcastle. Subtly complex emotions woven around the lovely experience of being with great friends; new paradigms forming over the fading structures of former memories.  Also reviewing the other four novel plots that are simmering on the back burner and need the occasional stir to keep them from sticking.

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David J Rodger – DATA

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Work in Progress

Work in progress. The Black Lake – the slow process of proofing continues. Now through chapter 2 of 20. However there’s something quite relaxing and therapeutic just sitting there drifting through hardcopy MS and making minor tweaks on the electronic master. Don’t really have to think that hard. Meanwhile Rise of the Iconoclast creaks towards the end of the first chapter. I’ve had a busy week on the social front and a lot of writing time has been absorbed by research into para-aramid concepts, and ways to describe cybernetic machines as characters. Also reviewing the other four novel plots that are simmering on the back burner and need the occasional stir to keep them from sticking. Today is Yellow Dawn – The Age of Hastur. Got my regular gang coming over at midday and it’s going to be Horror on the Orient Express post-apocalyptic style, all day. Bliss.

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David J Rodger – DATA

Work in Progress

I’m pretty darn pleased.  In May this year, getting back to the UK from Malta I sat down that night and started bashing keys to follow an idea I’d had for a novel whilst out there.  Next thing I knew I’m in full flow.  Now, seven weeks later, it’s finished.

Here’s the back cover blurb (draft):

The Black Lake

A post-apocalyptic ghost story

The Earth has been ravaged by an event known as Yellow Dawn.  Ten years later, survivors are putting lives back together and probing the frontiers of a new Wilderness, whilst overhead the orbital colonies slide across the sky, removed and unaffected.

A consortium of private businesses put together an expedition to a remote Scottish island in the sub-Arctic. Five survivors leave the fortress island of Malta to undertake scientific observations of a strange and alien meteorological phenomenon that followed the apocalyptic event.  It’s a story of escape, wonder and terror.

David J Rodger’s trademark unforgiving rendering of harsh reality, and relentless narrative pace, are here in palm-sweating abundance, delivered in a novel that tears open a rent in the boundary of reality, providing a nerve-jarring glimpse of the Outer Chaos and the horrors that lurk just beyond the threshold of our fragile, human existence.

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Now begins the eye-droopingly tedious process of proofing the damned thing. Hey-ho, needs must.  I’m super excited about getting this one out as it has a great sense of claustrophobia about it – everything focussed on a few characters in one isolated location.  Plus the ending is has a heavy Cthulhu Mythos flavour.

The Black Lake represent just one of the six novel concepts that have been coming together since March.  I’m thinking of tackling Rise of the Iconoclast next.  Watch this space for progress – and updates on the release of The Black Lake.  If you’re a fan of Cthulhu Mythos influenced fiction then I’d like to recommend you check out the previews of the novels, God Seed; Edge, Living in Flames, Dog Eat Dog, and the collection of short stories: Songs of Spheres.

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David J Rodger – DATA

Work in progress

The Black Lake. 60,000 words in since starting this novel six weeks ago. Nearing the end.  Now pulling the strands of the story together, weaving in details that help lead towards a great ending. *fingers and toes crossed* Random radio transmissions and the secrets of a fellow expedition member’s journal begin the process of revelation for the doomed protagonist. Also building up in layers, the phenomenon of the Influence of Hastur - as well as the more traditional fears and chills of an M. R. James-style haunting. Tough work but this is the kind of challenge I enjoy.

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David J Rodger – DATA

Work in progress

Another tough patch hacked and blasted through with the new novel. What’s helped is taking time out from sitting in front of a computer.  Morning sessions sitting in the Boston Tea Party (cafe) with an Americano stained with milk until it’s the colour of mud, pen in hand, and leather-bound paper notebook from Santiago. Letting the ideas percolate through skull and emerge as scribblings of hand.  Random lines of thought staining the notepaper with ink, eyes scanning, absorbing, feedback loop to brain and so progress made.

This recent part of the novel required me to describe a character rapidly going mad and losing touch with reality because of his isolated existence, surrounded by strange goings-on.  A combination of Mythos episode and ghostly haunting.  I’m thinking that some part of this process – having to immerse my brain in that state of mind to capture the essence of it – caused me to feel pretty rubbish the past two weeks.  I’ve certainly been feeling a little “off”.

Possibly also down to the fact I’m writing a book without a solid plan; if I finish, as hoped, in the next couple of weeks it’ll be the fastest novel I’ve ever written. The last one, Living in Flames, only took 3 months.  This one could come in at 8 weeks.  Fingers crossed.  Although I’ve still got to come up with the ending  – and judging by recent experience, I’m liable to go mad during the process.

*grits teeth, sets jaw at determined angle, marches forward with pen poised*

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The Black Lake.  A post-apocalyptic ghost story. A consortium of private businesses put together an expedition to a remote Scottish island in the sub-Arctic. Five men leave Malta to undertake scientific observations of a strange and alien meteorological phenomenon that followed the event known as Yellow Dawn.  It’s a story of escape, wonder and terror.

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David J Rodger – DATA

Work in progress

I managed to get up surprisingly early considering I had a late night bender playing Warrior Knights and drinking whisky until way past 1 AM. After clearing up the debris of five blokes – empty bottles and discarded snack wrappers – I’ve got down to the current novel, The Black Lake. 51,000 words in and feeling the pace rapidly slowing as I wade through another tough part. This is a book I started writing middle of May after getting back from Malta – no plot map, just a seed idea and no pages of notes on characters. I just “got on with it”. Not my usual way of working. I’m having to craft the dread and depression of a character existing alone, hundreds of miles from anyway, stranded in a post-apocalyptic wilderness (on a remote island)… and strange and disturbing things are happening to him there. A mixture of Mythos horror and supernatural haunting. Hey-ho. Battling on with words I go.

I’ve got some wildly hand-scribbled notes I made yesterday morning as my current plot-map.  Plan today is to work through this as much as possible then bail out with a rocket drive into town, do the harbour walk, sink into deep thought mode and park my bum in a cafe to write down more notes.  Repeat and continue.

The Black Lake.  A post-apocalyptic ghost story. A consortium of private businesses put together an expedition to a remote Scottish island in the sub-Arctic. Five men leave Malta to undertake scientific observations of a strange and alien meteorological phenomenon that followed the event known as Yellow Dawn.  It’s a story of escape, wonder and terror.

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David J Rodger – DATA

Work in progress

Earlier on this year I launched the new version of Yellow Dawn RPG (2.5), something that took a year of my life and blocked any other creative projects. Now I’m free to write novels again, I’ve been enjoying the process with gusto.

I was in the incredible island nation of Malta earlier this month week, a tiny speck of land in the middle of the Mediterranean, with 7,000 years of history pressed down on top of it. Visited many parts of the island(s) but also got to spent a lot of time on the sundeck of the hotel roof, 7 floors up with expansive views of the ocean on two sides.   Whilst there I came up with the idea for a novel, working title: The Black Lake.  A post-apocalyptic ghost story. A consortium of private businesses put together an expedition to a remote Scottish island in the sub-Arctic. Five men leave Malta (of course) to undertake scientific observations of a strange and alien meteorological phenomenon that followed the event known as Yellow Dawn.  It’s a story of escape, wonder and terror.

I’ve also been working on a novel (working title: The Social Club) set in the post-apocalyptic London – Yellow Dawn – where the Power of Eight have taken control and created a very Orwellian state of control. It’s a political thriller with a detective as the main character. I wrote two chapters of this before going to Malta, but now it’s on pause whilst I get into the flow of The Black Lake. Not sure if I’m going to dance between the two of them or just focus on one at a time.

Then last week, driving down to Hayling Island on the south coast of England with my lady, I was just drifting with my mind, eyes glazed, staring at the countryside, a flock of birds keeping pace with the vehicle some distance away – rapid flash flash flash of intervening trees. And I started to think of an idea of being chased by a swarm of drones. That led to who was I? Where was I? Why were they chasing me?  Etc. And then bam. An idea formed that I spent the rest of the car journey scribbling down. Another Yellow Dawn novel. A bunch of ex-military troopers in full-borg conversions, now flying around in a battered aerodyne – always hungry for fuel and excitement, and the big gig that will allow them to step change their lives.  Then a random encounter with a foolish man, they discover an unusual object – a shard of technology. They’re told it is part of the original casing of the Dragon Breathe AI.  And they’re not the only people -or things – coming to look for it.  A bit of a guns and technology romp with hopefully a light-hearted vibe to the characters.  Working title: Rise of the Iconoclast.

Meanwhile, during the week in Malta I had a chance to focus a lot of attention on Oakfield. That’s a pre-Yellow Dawn novel, actually the prequel to my first novel God Seed that I wrote in 1996. Oakfield will be a horror story set in a coastal town in Cornwall (south west England), involving the alien machinations of the Mi-Go.  I’ve got a full plot sketch done.  All I need to do now is map it onto individual chapters and finalize character traits and tensions.

Just before going to Malta I was able to do the same with a novel called Proteus Syndrome.  A pre-Yellow Dawn tale that is a natural follow-on to the corporate-political thriller Iron Man Project.  The legacy of Jean-Luc Korda and his private corporate army.  Another glimpse of Xici Carthew and the Carthew Alliance within UTOC (United Table of Commerce).  A team of mercs are sent to a Greek island that was recently bought – wholesale, and the local population relocated despite great howls of protest – by a German military defence corporation called KOIG.  KOIG are apparently developing some kind of unique crowd control / riot diffusing technology through the application of synthetic biology. The merc team go in to snatch a sample.  What they find is an island of horrors – linked to a brutal political play by senior members within a UTOC alliance.

There’s one more. Working title: The Cameraderie of Wolves. A post-Yellow Dawn story that focusses on two survivors, both involved in the sim-stim entertainment industry (a next gen movie experience, where users wear a dermatrode skull wrap or “plug-in” to experience playback of a movie, as if they’re directly in the movie themselves – think Brainstorm (1981) or Strange Days (1995). One is a new rising star, scooped up after staggering out of the wilderness into the bright lights of a Living City. The other’s star is in descendancy; once a big name before Yellow Dawn, she survived and then tried to become bigger but only became a diva – now the companies want to get rid of her and her infuriating demands to make movies based on human interest…rather than the fast-moving adrenaline paced sim-stims of zed-baiting and dead city runs.  I’ve only got a rudimentary plot-structure for this, hand-written notes spread across several pages of different notebooks.  So it still needs a lot of work.

So, work in progress:

  • The Black Lake
  • The Social Club
  • Rise of the Iconoclast
  • Oakfield
  • Proteus Syndrome
  • Camaraderie of Wolves

Lot’s going on. Hopefully I’ll be posting out samples of The Black Lake soon.

Djr

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Work in progress

It’s a wonderful grey and rainy day. Perfect reason to stay in doors and carry on my love affair with my laptop. Did something rather off-range for me the other night; drank coffee late, stayed up late and started writing a new novel (no working title yet) based on the idea of a political crime investigation taking place within the mega-settlement of London [post-Yellow Dawn].

It’s an interesting concept because in the world of Yellow Dawn, London is the headquarters of, and dominated by, the outlawed business cult Power of Eight Group. Anyhow, I’ve no idea what’s going to happen with this new piece of work because I don’t have any characters or plot mapped out. I’m just going with a gut feeling. Very unlike me. Rather exciting though.

Meanwhile, other things on the cook: {Proteus Syndrome} fleshed out notes I made during meeting with scientist and mapped them onto the plot structure for this small part of the novel. Sent ideas back to scientist for sense-checking and they came back with solid thumbs-up. So I’ve got something horrible and yet plausible to drop onto my characters. I’m also continuing the process of shaping the plot ideas into a step-by-step sequence and writing this down.

{Yellow Dawn } the synthetic biology bolt-on rule system will be next on the to-do list, to compliment the nanomech system. Also playing the game a LOT more now that I have a new secondary group in the ancient Roman city of Bath. This has led to a podcast which is generating further interest. I’m hoping to use the podcast’s to target folks who’ve always wondered what role-playing games were about but never got round to playing them. A way in, to a new world of entertainment – hopefully.

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Work in Progress

An excellent evening spent in company of a scientist I arranged rendezvous with; supping dark local ale and discussing synthetic biology applications that can fit the plot of the new novel (one of them) called Proteus Syndrome. Came up with a unnervingly plausible scenario for biological crowd control concept; and the consequences of a project allowed to slip out of control on a remote Greek island. Enter characters stage left…

Probably a couple years away from writing it but I’m having great fun mapping out plot ideas and giving the notes enough shape to be able to walk away and come back again.

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